Additionally, two concerts in Hangzhou, China, were announced on April 23, 2025. The following day, dates labeled as the «final» Australian concerts were announced. Five days later, concerts in the United States were announced, as well as a secondary date in Toronto, Canada. On December 9, 2024, Perry announced eight European dates for the 66 zz tour, with an extra concert added in Paris, due to demand three days later. That same month, concerts in Canada were announced, and an additional concert in Buenos Aires was added, due to demand.
Katy Perry: The Lifetimes Tour
In a review of the opening night in Brisbane, Georgia Clelland of The Courier-Mail noted the tour’s unfavourable response from commentators, but described the show as a «high-octane, theatrical spectacle» that «silenced early critics», and left her «genuinely wowed». Writing for Mamamia, Bree Player gave the opening night in Sydney a positive review, describing it as «high-concept and high-effort», while praising the tour’s visuals and Perry’s costumes. However, he felt that Perry’s vocal performance remained strong throughout and that she made full use of her massive stage setup. Vito said that Perry’s presentation fell flat in comparison to then-recent concerts of other artists such as Lady Gaga and Taylor Swift. The tour’s stage features 31 atypically positioned individual surfaces that make up the main LED screen, which show «animated videos of Perry’s mission to free butterflies in order restore what was lost on her planet as a half human, half machine».
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- Reviewing Perry’s concert in Chicago, Selena Fragassi of the Chicago Sun-Times felt The Lifetimes Tour «suffers from much of the same issue» as the promoted 143 album, «where extravagance continues to supersede significance».
- With Katy’s set list covering her original hits such as «I Kissed A Girl» to her new hits like «Roar,» Katy rocked the nearly packed Prudential Center.
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I must say that I was impressed with Katy’s live vocals, they were much more impressive than I was expecting. Katy Perry’s Prismatic Tour is a zany, colorful world of wonder from her opening number of «Roar» to an encore filled with pyrotechnics and an audience jumping up and down screaming for more. All the rumors I’d heard about her amazing stage shows were 100% true. (They also played the original version in the middle of the set.) The band was also savvy enough to remember to tell the crowd their name, unlike Ferras.
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Fabio Magnocavallo from Euphoria gave the tour’s opening night in London four out of five stars, describing the show as striking a balance «between theatrical flair and crowd‑pleasing hits» which made for a «lively, feel‑good evening». She also did not like how much of the set list contained material from 143 while past songs that fans loved were cut short. Reviewing Perry’s concert in Chicago, Selena Fragassi of the Chicago Sun-Times felt The Lifetimes Tour «suffers from much of the same issue» as the promoted 143 album, «where extravagance continues to supersede significance». Commenting on the tour’s opening night in Mexico City, Jo Vito of Consequence called the singer’s choreography «unimpressive» and «middle-school-musical level». On the same day, Perry announced that Mexican DJ Mariana BO and Mexican band Midnight Generation will serve as the opening acts for the Mexican dates of the tour.
The announcement comes a month after the official release of her latest album, 143. Katy Perry is returning to North America in summer 2025 for more shows along ‘The Lifetimes Tour.’ Making sure all of Climate Pledge Arena is Wide Awake, we have your chance at tickets! Fill out the form below for your chance to win a pair of tickets to see Katy Perry LIVE!
(Unforuntately I missed the first one but Kacey Musgraves was great. She had a harder country rock sound that worked and she used all of the stage and the audience joined in on a few of her tunes.) Then came the Prismatic Tour. She does a full 2 hour set of all of her hits and a few favorites from her new album, Prism. I almost never see shows with 2 hour sets, so that was a bit of a shock to me, but honestly, she kept our attention the entire time. Capital Cities is technically a duo from LA, but they brought a few other musicians on the tour with them. I had previewed more of their music before attending this show, and it turns out I like a few of their songs, not just the famous one «Safe and Sound».